The Taming of the Shrew
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Shakespeare’s Globe has taken the difficult but responsible decision to close our doors to the public until further notice, ceasing performances, education activities and tours.
As you can imagine, this has been one of the hardest decisions we have had to make, but a necessary one as we consider the safety and well-being of both the public, staff and volunteers.
We hope to open the doors to our wooden O as soon as possible – but in this unprecedented time for theatre, and as a charity that receives no annual government subsidy, we are in desperate need of donations to help us to continue to strive in the future.
We ask at this time of huge risk to our beloved theatre that you donate if you can. Any amount, large or small, will be hugely appreciated.
With love, solidarity and thanks to you all from the whole Globe family.
Ifwhen we meet again, why, we shall smile
Katharina and Bianca, the daughters of a rich man of Padua, are ready to marry. The game is simple: the youngest can be won only if the eldest finds her equal. But Katharina is strong-willed and not afraid to challenge the rules. Who will be able to rival her? The hunt is on.
Accompanied by live music and song in the unique and intimate setting of the candlelit Sam Wanamaker Playhouse, The Taming of the Shrew questions the essence of Man and Woman, the feminine and the masculine, and searches for answers in the realm of the wondrous.
In an exciting and experimental production, roles for The Taming of the Shrew are to be played by different company members at different performances.
Why are our bodies soft, and weak, and smooth,
Unapt to toil and trouble in the world,
But that our soft conditions and our hearts,
Should well agree with our external parts?
— Act V, scene 2
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